Monday, February 1, 2010

Prompt 8: where you go


So sorry, dears! Life interrupted my posting schedule; plus, I was working on this longer piece.

Prompt 8: Due to the ___ that follows ___ wherever s/he goes, a ____ is convinced that something terrible is about to happen.


As always, I invite you to respond to this prompt in the comments, your journal (please link back!), or the privacy of your own imagination.


PhotobucketRed saw the wolf before she set out. He crouched high on her father's rampart, etched in stone, hunkering beside the little watchtower in which Father passed the nights before battle. It was tradition in this township for a bridal bed to be sanctified with wolf teeth or laid with a pelt, but Red's mother had given her king the whole animal in permanent form. Grandmother lived in the hunting chateau a day's walk away. No one was left to go fetch her at the little, abandoned cottage and she was needed because God would not release Stepmother's baby from inside her.


Red's basket of provisions from Cook slapped her hip as her feet slapped and clopped through the mud of the newly cleared path. The air was cool on her nose but too weak to penetrate her warm woolen underclothes. She had all day.

A shadow fell across the path. Red looked up, squinting, at the suddenly grey sky. A dark cloud had covered the sun. Piercing light shone like eye-dots and just below, a triangular maw hung open, lighter clouds surrounding a dark gullet. Red reached into her basket and found the hard, cold, rough stone she had placed there as she had passed the castle wall. She pressed it into her palm and squeezed, hard. The wind whistled far away over the mouth of some unseen cave in the hills beyond. A spiky line of ducks passed at the jaw.

Father was an old man, his son would need a proxy, and a full blooded mother had more claim than a half-sister.

Grandmother could fix things.

Red knew when she stepped on the edges of Grandmother's property by dint of the elegant, manicured trees. Grandmother kept a tree surgeon who knew the ways of maple and pine, oak and dogwood, and could coax a lilac and a holly to bloom in the same month. Red delicately stepped through the tree branch gate in the woven fence of dense pine trees and a stepped into the kitchen garden marred by neither boar nor gopher.

The sky was pinking as Red left her boots at the door and entered Grandmother's cottage. There was no servant to announce her because Grandmother did not like being made a fuss of, so the scullery took Red's basket and overthings and made herself invisible.

After Red had freshened up in her room, she came down the front staircase to the only room she knew would be lighted, the hunter's parlor Grandmother had made into her little den. A wolf's pelt lay in front of the enormous hearth, and Grandmother sat in her enormous chair. Grandmother's hand beckoned and Red sat on the soft, thick fur and laid her head on her knee like a child, while Grandmother worked out the snarls the wind had blown into her hair.

"What shall we do, Grandmother?" Red closed her eyes and breathed in the damp wool and woodsmoke from Grandmother's serge skirt.

Grandmother reached into her knitted vest and handed Red a vial. Red shook it and the contents mixed up green.

"For whom?" Red asked.

It was then she looked up at her Grandmother, and reeled across the wolf's pelt in horror. The dear woman's face was criss-crossed in deep gashes. Of her eyes were two dark wells made. Her grandmother's head bobbed low so that what remained of her chin pressed to her chest. The whole front of her dress glistened brick-red.

"Grandmother, what has happened to you!"

Beneath her, the fox pelt rumbled and roiled and took on the form of a man. Horrified, Red pressed herself against the wall. Before her, nude, stood a tall and handsome man with that same smile she'd seen in the rainclouds as she'd walked from the castle. The smile of one who had caught his quarry.

"Have you eaten my grandmother?" Red found her voice at last.

"Do not fear him," said a voice from the chair.

"Grandmother!" Red gasped. "I thought you were dead for sure."

"Not completely." Grandmother's head lolled so that her empty sockets pointed in the direction of Red and the strange wolf-pelt man.

"What is this creature?" Red asked.

"Take the foxglove," Grandmother said, "and this bit of poppy seed. A bit in very sweet chamomile tea will not be detected. The young man is my tree surgeon, and my living room rug. He has served me well and has earned his reward. I told him many years ago that when my life was over, he would be king."

"I grew impatient," the man said sheepishly.

Red reeled on him in shock -- to find the man arraigned in vestments to befit a prince.

"I will not have this!" Red said. "It is my turn, my time. Who served my father for sixteen years? Who advised him, who learned the languages of all the local chieftains in this patchwork country? Who sat at your table and learned composure and debate? A woman cannot not rule when a man is there to usurp her!"

Grandmother's leathery skull bobbed. "Don't you bark at the wolf, missy. He's been a good tree surgeon and my rheumatism hasn't felt so good in decades."

"That's because you're missing your hands," Red said to the embers.

"You will have your kingdom, Red," Grandmother said. "The werewolf can turn himself into any creature it wishes, from dragon to the smallest of unborn babes. You will return home and soon a foreign suitor will come to claim you. Your father will agree if you press the poppy into his pipe first, especially in his grief over the sudden death of his second wife and only son."

Red stared at the way the shreds of tongue in Grandmother's tongue ululated as guttural words burbled up from her slashed throat.

"Soon after the wedding, your father will die similarly, and then your husband will go on a hunting trip and never return. But a peddler will come to sell you a vial which you much take with you to bed. And then -- ah! You will be with child."

Red slumped onto the coal scuttle, thinking. "I will have my kingdom . . ."

"And when you are ready to give it up, your son will have his."

"Mind you don't wait too long," the wolfman said.



*Prompt source: The Writer's Book of Matches, by the staff of Fresh Boiled Peanuts, Writer's Digest Books, Cincinnati, OH, 2005.
Photo: Gargoyles at Notre Dame, Paris, by Viollet-le-Duc and Eugene Emmanuel (1814-79). 
 
More on "to see the wolf": French folklore and virginity.

Thursday, January 21, 2010

New prompts





PhotobucketSome prompts for you. I encourage you to respond to these in the comments, your own journal (please link back!), or the privacy of your own imagination.


  1. "She's not a vampire, or a wolfperson, she's a _____"
  2. Print out one of your stories that didn't work. Cut it up into strips. Rearrange until it's something you can work with.
  3. See this proverb. Write something in which the events build upon one another and one small slip can/does cause the whole thing to tumble.
  4. At your next party of writers, play Exquisite Corpse. For stories, each player can write a line or paragraph; for novels, each player can write a chapter. 
  5. "Children rule the world these days."
  6. All that stands between us and total devastation is an old man and three paperclips.
  7. "Is that a bleedin' rainbow comin' out of your shoe?"
  8. "Scarlett O'Hara never had to deal with this."


Photo credit: Old typewriter by Petr Kratochvil

Tuesday, January 19, 2010

Prompt 7: all fall down


Prompt 7: Write about a chore you must perform during an apocalypse.

PhotobucketMy father wasn't dead when we abandoned the house, but my brother and I thought of him as such. Dad wanted to be buried with Mother, so Toby and I took him to the basement, dug him a grave beside Mother's, and laid our father beside it. We told Dad that when he was ready, he'd have enough strength to flip himself into the hole, and he believed us, and we believed ourselves, because what else can you do?

Before we left, Toby and I protected him in a canvas tarpaulin and tied off his feet so the rats wouldn't get to him, or the cat, if the rats died of plague too. We gave him a long rubber tube to breathe through and the rest of grandfather's dandelion wine. We locked the cellar door against looters or . . . whatever. And we left.

Photo credit.

Sunday, January 17, 2010

tips: writer's block


When I was in grad school, we had to write a novel in 2 years and about 30 pages a month. There was no time for writer's block. So these are ideas we passed around to keep from flunking out.

- Retype your last page

- Create a playlist or Pandora channel of music that's suited to your story, genre, or character. Create several for different points in your story or book.

- Write anything for ten minutes. Don't edit. Just type. Look back over what you're written and find something to go with.

- Warm up each writing session with a fifteen minute freewriting session - something not related to your project. Prompts are good for this. It takes the pressure off and gets you in the writing mindframe.

- Have a work area and work there every day.

- Leave your work area and go somewhere else: outside, a coffee shop, the library, a diner. Bring headphones. 


- Use story mapping software like Freemind to see your ideas in one place.


- Think about why you're having a hard time writing something. Do you really want to write this? Does it not fit the story? If writing a certain character or scene is a chore, it may be a chore for your readers, too. (Did we really need all that Quidditch, JK?)


BTW: Did someone tell you that writing was about artistry and being inspired all the time? It's not. Ideas are easy, anyone can have ideas. Writing is the work of making something out of those ideas. If you're not working like it's 4 am and your paper is due at 9, you're not writing.

Prompt 6: uncanny valley


Prompt 6: Think about an inexplicable event in your life. Write an explanation.

My response to today's prompt was going to be about this time when I lost a pair of earrings -- one at a time -- and over a week I found one, two, and then three of the earrings. I was about seven and I truly believed that a ghost or gnome had taken my earrings into the netherworld and screwed up when bringing them back.

But I just can't bring it on home.  This happens sometimes: you get an opening and an ending but you don't know how to connect them. (See: all my novels.) Sometimes it helps to see your story in another context, so I'm posting the beginning. Maybe a little time and perspective will help.



Meanwhile, I encourage you to respond to this prompt in the comments, your own journal (please link back!), or the privacy of your own imagination.


Gravlax and Graeloor were arguing over the proper shelving configuration for disfigured Civil War mortar shells when a very familiar, very tiresome Collector cracked into their hall.


"Hallo, old son," the noisy blob with one leg said. He tipped his hat at the two ghoul archivists. Peruvian, mid-century, most likely stolen.


"We are not 'fellas,'" Gravlax said, taking it upon himself to be the speaker for this century.


Graeloor stamped the date on a stack of cards, grunting. It was an enormous stamp, bigger than his head; it contained the date of accession to the geologic nanosecond.


"Look," said Collector #3592304 -- Gravlax recognized him by the bit of clumpy hair behind his ear. "I wasn't here, right?"


"But you are here."


Graeloor grunted.


"But I won't be in thirty seconds," the disreputable creature said.

"How will we know that?"


Collector #3592304 slapped a filthy handkerchief onto the desk. Gravlax recoiled, in case it moved or attacked or spilled something on the books. Graeloor sniffed it; he hadn't had his lunch break this century.


"You don't know where you got this," Collector #3592304 said," and you can't catalogue it."

"Certainly not," Gravlax said, "until you fill out an accession card --"

The terrible Collector disappeared with a crack of energy, leaving a hazy cloud of ozone and the odor alcohol.


"Well," said Gravlax. "That was fetid."

Thump went the stamp.


Photo credit.

Wednesday, January 13, 2010

Prompt 5: radio gaga

Prompt 5: gifts of love
PhotobucketSometimes finding a prompt is as convenient as flipping on the radio and staring out into the middle distance. This story came to me while staring cross-eyed at the wall and listening to not this song, but it's from the same play, and I can't find "Gifts of Love."


Harry married her, sure. But is that any reason to stay with her?


Imagine him, a fifty-six year old man, running away to join the circus that he's watching on tv. The gays are getting liberated, so Walter Kronkite says. There's old dogs in that group in the crowd in front of the nightclub in California, it's not just for the young fellows. Harry could go. . . .

They'd laugh at him down at the bank. Old Slaughter gone sissy, let's get him a dress to go with his favorite pair of nylons. He'd seen that goddamn bank over thirty years from a booth in Nell's Grocery to a fifty-branch, tri-state conglom.

Imogene would laugh at him. Harry's stomach rolled the beer and popcorn over. Where would she go if he left her? Her sister's, maybe; it could be good for her, to get away from a miserable alcoholic who stayed up watching the late night news with a bottle in his fist. Why not?

They had no children, he'd never made much of his career. He was the office fool, not one who brought in accounts but who was always good for a laugh; he never really fit in with the boys. Imogene had always said she didn't need furs or diamonds, but a woman ought to have a pretty thing to dress up her life. She preferred to paint and decorate and be-curtain their little bungalow to death, to fill it with things he sorter liked to look at, come to think.

Imogene liked listening to him talk, or at least she let on like she did. He liked to talk, but not many people seemed to want to hear him. Did Imogene really like to listen? He never asked.


It just didn't make any sense.


Photo credit.

Tuesday, January 12, 2010

Writing prompt responses is useful because -

- Writing something every day keeps your momentum; if you're stuck on your main project, a short prompt response is better than nothing.

- A prompt can encourage you to explore a new voice, genre, character, or style.

- Prompts can help you build confidence as a writer.

- Prompts encourage experimentation, which can help you find what you really want to do with your writing.